I will be sharing several interesting excerpts from the books that I have been reading as of late. This one is an etiquette book written by Samuel R. Wells, a Victorian phrenologist and author, in 1887 entitled How to Behave: A Pocket Manual or Republican Etiquette, and Guide to Correct Personal Habits. I will also put the link to the full text at the end of the excerpts if you want to read the complete work.

Let’s begin.

III.—POSITION AND MOVEMENT.

Study also the graces of manner, motion, and position. Grace is natural, no doubt, but most of us have nearly lost sight of nature. It is often with the greatest difficulty that we find our way back to her paths. It seems a simple and easy thing to walk, and a still easier and simpler thing to stand or sit, but not one in twenty perform either of these acts with ease and grace. There are a hundred little things connected with attitude, movement, the carriage of the arms, the position of the feet and the like, which, though seemingly unimportant are really essential to elegance and ease. Never despise these little things, or be ashamed to acquire the smallest grace by study and practice.

You desire to be a person of “good standing” in society. How do you stand? We refer now to the artistic or esthetic point of view. If you are awkward, you are more likely to manifest your awkwardness in standing than in walking. Do you know where to put your feet and what to do with your hands? In the absence of any better rule or example, try to forget your limbs, and let them take care of themselves. But observe the attitudes which sculptors give to their statues; and study also those of children, which are almost always graceful, because natural. Avoid, on the one hand, the stiffness of the soldier, and, on the other, the ape-like suppleness of the dancing-master; and let there be no straining, no fidgeting, no uneasy shifting of position. You should stand on both feet, bearing a little more heavily on one than the other. The same general principles apply to the sitting posture. This may be either graceful, dignified, and elegant, or awkward, abject, and uncouth. The latter class of qualities may be got rid of and the former acquired, and depend upon it, it is a matter of some consequence which of them characterizes your position and movements. Walking is not so difficult an accomplishment as standing and sitting, but should receive due attention. It has a very close connection with character, and either of them may be improved or deteriorated through the other. A close observer and a sensible and trustworthy monitor of their own sex thus enumerates some of the common faults of women in their “carriage,” or manner of walking:

“Slovenliness in walking characterizes some. They go shuffling along, precisely as if their shoes were down at the heel—“slipshod”—and they could not lift up their feet in consequence. If it is dusty or sandy, they kick up the dust before them and fill their skirts with it. This is exceedingly ungraceful. If I were a gentleman, I really do not think I could marry a lady who walked like this; she would appear so very undignified, and I could not be proud of her.

“Some have another awkwardness. They lift up their feet so high that their knees are sent out before them showing the movement through the dress. They always seem to be leaving their skirts behind them, instead of carrying them gracefully about them. Some saunter along so loosely they seem to be hung on wires; others are as stiff as if they supposed only straight lines were agreeable to the eye; and others, again, run the chin forward considerably in advance of the breast, looking very silly and deficient in self-respect.

“Sometimes a lady walks so as to turn up her dress behind every time she puts her foot back, and I have seen a well-dressed woman made to look very awkward by elevating her shoulders slightly and pushing her elbows too far behind her. Some hold their hands up to the waist, and press their arms against themselves as tightly as if they were glued there; others swing them backward and forward, as a business man walks along the street. Too short steps detract from dignity very much, forming a mincing pace; too long steps are masculine.

“Some walk upon the ball of the foot very flatly and clumsily; others come down upon the heel as though a young elephant was moving; and others, again, ruin their shoes and their appearance by walking upon the side of the foot. Many practice a stoop called the Grecian bend, and when they are thirty, will pass well, unless the face be seen, for fifty years’ old.”

Gymnastics, dancing, and the military drill are excellent auxiliaries in the work of physical training, though all of them may be, and constantly are, abused. We can not illustrate their application here. They will receive the attention they deserve in “Hints toward Physical Perfection,” already referred to as in preparation.

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Out of rights grow duties; the first of which is to live an honest, truthful, self-loyal life, acting and speaking always and everywhere in accordance with the laws of our being, as revealed in our own physical and mental organization. It is by the light of this fact that we must look upon all social requirements, whether in dress, manners, or morals. All that is fundamental and genuine in these will be found to harmonize with universal principles, and consequently with our primary duty in reference to ourselves.

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[…] but the basis of all true politeness and social enjoyment is the mutual tolerance of personal rights.

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The husband should never cease to be a lover, or fail in any of those delicate attentions and tender expressions of affectionate solicitude which marked his intercourse before marriage with his heart’s queen. All the respectful deference, every courteous observance, all the self-sacrificing devotion that can be claimed by a mistress is certainly due to a wife, and he is no true husband and no true gentleman who withholds them. It is not enough that you honor, respect, and love your wife. You must put this honor, respect, and love into the forms of speech and action. Let no unkind word, no seeming indifference, no lack of the little attentions due her, remind her sadly of the sweet days of courtship and the honey-moon. Surely the love you thought would have been cheaply purchased at the price of a world is worth all you care to preserve. Is not the wife more, and better, and dearer than the sweetheart? We venture to hint that it is probably your own fault if she is not.

The chosen companion of your life, the mother of your children, the sharer of all your joys and sorrows, as she possesses the highest place in your affections, should have the best place everywhere, the choicest morsels, the politest attentions, the softest, kindest words, the tenderest care. Love, duty, and good manners alike require it.

And has the wife no duties? Have the courteous observances, the tender watchfulness, the pleasant words, the never-tiring devotion, which won your smiles, your spoken thanks, your kisses, your very self, in days gone by, now lost their value? Does not the husband rightly claim as much, at least, as the lover? If you find him less observant of the little courtesies due you, may this not be because you sometimes fail to reward him with the same sweet thanks and sweeter smiles? Ask your own heart.

Have the comfort and happiness of your husband always in view, and let him see and feel that you still look up to him with trust and affection—that the love of other days has not grown cold. Dress for his eyes more scrupulously than for all the rest of the world; make yourself and your home beautiful for his sake; play and sing (if you can) to please him; try to beguile him from his cares; retain his affections in the same way you won them, and—be polite even to your husband.

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V.—WEDDINGS.

We copy from one of the numerous manners books before us the following condensed account of the usual ceremonies of a formal wedding. A simpler, less ceremonious, and more private mode of giving legal sanction to an already existing union of hearts would be more to our taste; but, as the French proverb has it, Chacun à son goût.

For a stylish wedding, the lady requires a bridegroom, two bridesmaids, two groomsmen, and a parson or magistrate, her relatives and whatever friends of both parties they may choose to invite. For a formal wedding in the evening, a week’s notice is requisite. The lady fixes the day. Her mother or nearest female relation invites the guests. The evening hour is 8 o’clock; but if the ceremony is private, and the happy couple to start immediately and alone, the ceremony usually takes place in the morning at eleven or twelve o’clock.

If there is an evening party, the refreshments must be as usual on such occasions, with the addition of wedding cake, commonly a pound cake with rich frosting, and a fruit cake.

The dress of the bride is of the purest white; her head is commonly dressed with orange flowers, natural or artificial, and white roses. She wears few ornaments, and none but such as are given her for the occasion. A white lace vail is often worn on the head. White long gloves and white satin slippers complete the costume.

The dress of the bridegroom is simply the full dress of a gentleman, of unusual richness and elegance.

The bridesmaids are dressed also in white, but more simply than the bride.

At the hour appointed for the ceremony, the second bridesmaid and groomsman, when there are two, enter the room; then, first bridesmaid and groomsman; and lastly the bride and bridegroom. They enter, the ladies taking the arms of the gentlemen, and take seats appointed, so that the bride is at the right of the bridegroom, and each supported by their respective attendants.

A chair is then placed for the clergyman or magistrate in front of the happy pair. When he comes forward to perform the ceremony, the bridal party rises. The first bridesmaid, at the proper time, removes the glove from the left hand of the bride; or, what seems to us more proper, both bride and bridegroom have their gloves removed at the beginning of the ceremony. In joining hands they take each other’s right hand, the bride and groom partially turning toward each other. The wedding ring, of plain fine gold, provided beforehand by the groom, is sometimes given to the clergyman, who presents it. It is placed upon the third finger of the left hand.

When the ceremony is ended, and the twain are pronounced one flesh, the company present their congratulations—the clergyman first, then the mother, the father of the bride, and the relations; then the company, the groomsmen acting as masters of ceremonies, bringing forward and introducing the ladies, who wish the happy couple joy, happiness, prosperity; but not exactly “many happy returns.”

The bridegroom takes an early occasion to thank the clergyman, and to put in his hand, at the same time, nicely enveloped, a piece of gold, according to his ability and generosity. The gentleman who dropped two half dollars into the minister’s hands, as they were held out, in the prayer, was a little confused by the occasion.

When a dance follows the ceremony and congratulations, the bride dances, first, with the first groomsman, taking the head of the room and the quadrille, and the bridegroom with the first bridesmaid; afterwards as they please. The party breaks up early—certainly by twelve o’clock.

The cards of the newly married couple are sent to those only whose acquaintance they wish to continue. No offense should be taken by those whom they may choose to exclude. Send your card, therefore, with the lady’s, to all whom you desire to include in the circle of your future acquaintances. The lady’s card will have engraved upon it, below her name, “At home, ——evening, at—o’clock.” They should be sent a week previous to the evening indicated.

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VI.—FUNERALS.

When any member of a family is dead, it is customary to send intelligence of the misfortune to all who have been connected with the deceased in relations of business or friendship. The letters which are sent contain a special invitation to assist at the funeral. Such a letter requires no answer.

At an interment or funeral service, the members of the family are entitled to the first places. They are nearest to the coffin, whether in the procession or in the church. The nearest relations go in a full mourning dress.

We are excused from accompanying the body to the burying-ground, unless the deceased be a relation or an intimate friend. If we go as far as the burying-ground, we should give the first carriage to the relations or most intimate friends of the deceased. We should walk with the head uncovered, silently, and with such a mien as the occasion naturally suggests.

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Link: https://www.gutenberg.org/ebooks/26597

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